Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8919
- '90-'947
The studio home of each song, from phish.net. Covers count as one slice.
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
"The Sounds of Silence" ->'s into a wonderfully noisy version, featuring improvisation that marks the very best "Bowie's," and, in spirit, Phish, generally. Following great composed play, hear a radical departure from the song, proper. Here, too, is a jam that is somehow both of (crazy changes and playful nature) and beyond (an expertly placed false-ending) its time. This is music for all ages.
Trey teased Buried Alive in Divided Sky. Bowie contained Sounds of Silence teases in Fish’s high hat intro, and had a silent jam near the end of the jam segment. Ya Mar contained a brief Happy Birthday tease from Trey. Bag contained a Bonanza theme tease from Trey was also unusually adventurous, with three dead stops during the jam segment and uncommon dissonance. Trey briefly started Horn before Harry Hood, but abandoned it. Before Terrapin, Trey announced that Fish would be “bringing out the big, heavy artillery” for the people in Keene. The “artillery” was Fish’s new vacuum, which made its debut at this show. Fish noted that “if I bleed during this song, that’ll just be part of the effects.” Inspired by his new instrument, Fish took an exceedingly spacey solo during Terrapin, complete with ersatz wolf howls, before singing the final verse through the vacuum.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.