Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8915
- '90-'9412
The studio home of each song, from phish.net. Covers count as one slice.
About as chalky as it gets - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Wonderful, somewhat restrained drumming (even the vocals feel hushed) creates a terrific pace and works to steer the jam, which seems carved from space, with Trey creating an incredible droning, echo-like effect atop some really great bass. The band, ever dynamic, modulates intensity, with Page way up in his register, and Trey, like a machine, repeatedly running through a set of notes wholly melodic, and expertly placed.
Blues Jam, The Wedge, Dog Log
Trey sang the verses of Fee through a megaphone. I Didn’t Know featured a Madonna washboard solo from Fish. All Things Reconsidered featured Simpsons, Random Note, and Aw Fuck! signals. Trey teased Call to the Post in Reba. Sweet Adeline and Carolina were performed without microphones. YEM included an Odd Couple theme tease and an extended jam segment of duets, first Trey and Fish, then Page and Mike. Fish introduced Mike as "The Man in Black" after I Walk the Line. The Wedge from the soundcheck incorporated elements of I Want You (She's So Heavy).
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.