Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'9412
- '95-'002
The studio home of each song, from phish.net. Covers count as one slice.
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
A few, very minor glitches in The Chase and elsewhere, but otherwise the playing is intense and tight. How about a little Moog action in Clod? Page's piano solo later in Clod benefits from great backing from Trey, Mike and Fish. Arrival is powerful, driven by Mike and Fish, and by Trey's confident, rocking soloing, including some sick trilling near the peak.
Dog Log > Melissa, The New Teller (incomplete), Trey percussion jam, The Old Home Place, work on Uncle Pen, Uncle Pen, Taste
The Old Home Place and Uncle Pen featured John McEuen on banjo. Timber through Funky Bitch featured Peter Apfelbaum on tenor saxophone. Taste included an intro jam that was basically a slowed-down version of the song. The Amazing Grace Jam and Possum featured Apfelbaum on tenor saxophone and McEuen on lap slide guitar. Punch You in the Eye, Chalk Dust Torture, and 2001 featured Get Up Offa That Thing quotes and James Brown antics from Fish. 2001 also contained Super Bad teases from Trey. The lyrics to Brother included a reference to Steve McConnell. This show is available as an archival release on LivePhish.com.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.