Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'899
- '90-'947
- '95-'002
The studio home of each song, from phish.net. Covers count as one slice.
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Trey employs a warm, "watery" tone, to play with focused precision and remarkable restraint. Truly notable support from Page creates more of an open and spacious canvas of sound (as opposed to "jam"), whose principal characteristics stem from an organic, natural vibe. The version floats evenly and easily for some time, before being shaped to a pointed, emphatic peak.
Reba did not have the whistling ending. Talk featured Trey on acoustic guitar. The P.A. cut out during Funky Bitch, during which Fish took an “air drum” solo, Trey performed Townshend-style windmills, and the entire band engaged in random silliness while still “playing” the song. Scent featured a Page/Mike Mule Duel and a guest appearance from comedian Steven Wright, who came out and rang a desk bell three times.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.