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Rolling the tapes…

Setlist and song data provided by Phish.net, a project of the non-profit Mockingbird Foundation. Live audio via phish.in.

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Phish - October 16th, 2021

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2021-10-15 2021-10-17

Phish - October 16th, 2021

Chase Center · San Francisco · CA

Saturday2021 Fall Tour2021-10-16

Songs played

15

3 sets · longest: Set 1 (9)

Average gap

21.9

rarer than 86% of all shows, 83% of 2021

Biggest bustout

Frankie Says - shows since last played

Debuts

0

2 covers played

Rotation47% fresh vs previous 5 shows0 repeats from 2021-10-15

Setlist

Set 1

Possum,Halley's Comet > 46 Days -> Slave to the Traffic Light,Simple > Shade > Winterqueen > Meat >

(Surrender to the) Flow of the night

2:41:50 of music

Song length in play order. Tap a point for that song. Swipe the chart to see the rest.

Longest: Carini 18:50 · 15 songs with recorded lengths

When it debuted

Tonight's unique songs by the era Phish first played them.

'83-'895
'90-'942
'95-'004
'03-'041
'09-'141

Rarity board

Rarer than most - 2 songs shelved 50+ shows.

Frankie Saysgap 197

Winterqueengap 57

Run Like an Antelopegap 14

Halley's Cometgap 13

Shadegap 9

Meatgap 7

Gap = shows since the song was last played, at the moment it was played.

Jam chart entries

Around the 5:00 mark the jam enters a more dynamic space, allowing for flourishes by all four in a strong collective effort. Mellows out in the final minutes for a very pleasant ending and -> "Slave".

Setlist notes

Frankie Says was performed for the first time since August 8, 2015 (197 shows), contained Manteca teases from Trey, and ended with Bathtub Gin teases. Moma Dance contained a Monkey Man jam with quotes from Fish. This was the rescheduled date from the show that had been postponed due to the coronavirus COVID-19 outbreak in 2020.

Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.

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Run Like an Antelope

Set 2

Bathtub Gin > Everything's Right > Frankie Says > The Wedge,The Moma Dance

Encore

Gamehendge1/9bustout50+ show gap

'15-'19

2

Album representation

The studio home of each song, from phish.net. Covers count as one slice.

The Story of the Ghost3
The White Tape2
Lawn Boy1
Rift1
Round Room1
Sigma Oasis1
Covers2
No studio album4

Gap since last played

Shows since each song's previous appearance. A big number is a bustout.

1-24
3-54
6-155
51+ · bustout2

Originals vs covers

Whose songbook tonight drew from.

Phish original13
Trey Anastasio2

Slave to the Traffic Light

A mostly smooth -> in from "46 Days". The first Set 1 version of "STTTL" in over five years is a gem. This jam peaks and peaks again, and just when you think it's peaked for the final time, it peaks once more.

A kaleidoscopic outro of interweaving delay riffs then shifts at 7:00 to a pumped-up syncopated groove, drawing similarities to "Simple's" 1996 heyday.

While the jam becomes more serene and contemplative, Fish keeps things moving at a decent clip with a snappy beat, eventually leading to a more rocking conclusion bolstered by swelling synths.

Kicking off the back half of a monstrous set 2 and busting out after a 196 show gap, what seems like a quick breather instead grows sea legs and takes a walk. Roughly 3:30 in, Mike and Page drive the jam to open flowery pastures, as Fish propels with cowbells and Trey searches for jam grooves. The groove washes out to sea and coasts on gentle waves upon Fish's ride, slowly building momentum to a characteristic melodic theme of fall '21. At the 8:30 mark the jam takes heavier rhythmic cues and a dance party throw down starts building. "Manteca" tease at 9:35. Thick effect-laden Trey and the cymbal-snare dance of Fish propel the back half of this jam to a start-stop "woo" passage. "Bathtub Gin" teases at 13:00 and 15:15.

The first "Moma" to serve as set-closer fills the role admirably with an atypically hard-driving, intense outro over shouts of "Monkey Man" from Fish.

This massive version shows up in the Encore, and anyone who decided to leave early truly missed out. Trey's nimble playing and Page flourishing on the piano kick this jam off. By 11:15, it turns into an effects-fest, with Fish laying down a cool texture for the exploration. The band eventually works its way back to the song proper to, officially, close the show out.

Versions phish.net's jam charts single out as noteworthy.