Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'941
- '95-'006
- '03-'041
- '15-'191
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
"Axilla II"'s improvisational identity is seemingly now fully established, with spacey, effects-heavy playing setting the tone immediately. Using this template as the platform, the band then effortlessly glides between cosmic life-affirming bliss, diverse textural coloring, and hazed-out driving groove rock before returning to the "Axilla II" ending to close.
The band took the stage while pre-show music similar to a Free jam played, which continued until they began the song and waterfalls of colored light suddenly cascaded from the top of the dome. During Moma, a moving, 360-degree live shot of the crowd and band was displayed, with psychedelic colors and effects. During Mercy, the dome displayed an overhead view of a sparkling ocean, with small birds in pastel colors flying over the water. During Gin, the entire dome became an overhead view of a large wave pool, filled with hundreds of people on food-shaped inflatables drifting and spinning. During the Gin jam, the images of the bathers became blurred and abstract, forming a neon kaleidoscope effect. During Theme, the entire dome became an underwater seascape, with kelp forest, fish, human swimmers, and light from the surface shining down from the top. Theme also contained a DEG tease from Trey. At the start of ASIHTOS, jellyfish puppets were raised on each side of the stage, while the dome remained dark. Once the jam began, the light on the dome came up to reveal another underwater seascape, whose plants and fish became luminous as the rest of the light dimmed again. During Caspian, this seascape changed to a view from within the columns and arches of a sunken monument. As YEM began, the entire dome became the view from inside of a car as it entered a "Tunnel of Luv" car wash, with the stage appearing to sit on top of the middle of the dashboard. The car progressed through the wash as YEM continued, with Trey's solo during the wax and wheel scrub, and the bass and drums as the car was dried and exited the wash. Suddenly the car view was gone, and it appeared that the dome was clear, with a puppy licking it from the outside, in slow-motion, for the duration of the vocal jam. During Velvet Sea, the dome appeared to be covered in flowing red velvet, with photographs of the band throughout the years appearing and disappearing among the fabric. By the end of the song, the entire dome was covered in photos. Trey teased The Secret of Life (The Dead Milkmen) in Hood. This show was connected to the other three with each night's setlist tied into a state of matter. This performance's matter type was liquid.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.